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  • SURPRISE FOR ASSASSINS
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    Crime House - SURPRISE FOR ASSASSINS

    Clip Description

    SURPRISE FOR ASSASSINS
    CUSTOM
    CAST: Mira Green, Scarlett Fandera, Archi

    «Ugine, Thank you! I didn't expect the clip to be ready so soon! And it is absolutely brilliant! Mira, Scarlett were fantastic and sexy, and Archie looked like a real "James Bond" type spy. This clip was so realistic. Great acting, camerawork, body positions, everything exactly as I scripted it, right down to the dialogue. You are the best!»
    Customer’s Review

    MIRA GREEN AND SCARLETT FANDERA ARE AGAIN IN THIS SPY MOVIE!

    Two sexy girls are sent to seduce 007-style agent and they were going to stick him to the back with a knife or a gun. But he is faster and surprises them both with his silencer shooting while they were kissing.

    DEATH STARES WITH CLOSED EYES AND OPENED EYES


    A male spy is in his apartment and gets a phone call. He repeats what he heard, "A pair of sexy female assassins have been assigned to kill me? Won't they get a surprise!" (Dialogue should be in Russian with subtitles). Soon, he gets a knock on the door. He sees a beautiful woman, (Mira Green, dressed like in Killer in the Trap 3, white blouse, black mini-skirt (but not TOO short), black heels, white panties, and white bra this time (last time was black). Hair loose down her back. She tells the agent, "Hi, I'm Agent Mira, I've been assigned to work with you on the Zarodyn case. They sit down to have some wine. Man says, "How long have you been with the firm?" Mira answers, oh, about 4 years now, but I've never had such a handsome partner, I think we will work well together." She takes his hand and they stand up. Then she opens a couple of buttons on her blouse, exposing some of her white bra. They come together slowly, and start to kiss. As they are kissing she pulls out a small hidden knife (back of her skirt, her hair, or just hiding it behind her back, whatever is easiest). They are still kissing, but she is raising her knife over his back to stab him. Just before she can, we hear pffutt, pffutt, 2 silenced shots into the side of her body, about chest high, they are embracing and kissing, so he needs to hold the gun on her (left) side (if he is right handed). We see two small bloodstains on Mira's side (chest high). They are still embracing, but Mira looks at the spy, drops the knife, (we see it fall, and clatter on the floor), still standing, and her head slumps to the side, eyes closed dead. The spy, still holding her, lowers her slowly to the ground, on her back, legs bent, slight view of panties and bra(not full view). Spy makes a phone call, and says, "I need a cleanup crew." Several shots of Mira on the ground, mostly pans and full body from different angles. Then fade out. Next scene. Spy is again sitting down, doorbell rings, this time it's Scarlett Fantera, dressed just like in "Fatal Interrogation, but with a sleeveless white pullover blouse, with a black bra (that hopefully you can see a little bit through the blouse. (Otherwise her outfit should be same as Fatal Interrogation, black leather skirt, stockings or pantyhose, boots, hair loose down her back). SHe says, "Hi, I'm Agent Scarlett, I've been sent by our agency to work with you on the Zarodyn case. Spy, pretending to not suspect any problem, invites her in, again, for a glass of wine. She says, "When I found out I was going to work with you, I was so excited, and now that I see how sexy you are, even more!" (Ugine, you can add some dialogue if you think it will add to the scene). Scarlett takes the spy's hand, and they stand up, embrace and start to kiss. This time, she's hiding a tiny pistol (somewhere, I'll leave that to you, again could be in back of her skirt.) THey stop kissing for a moment, still embracing, and Scarlett looks at the spy, and tries to bring the gun forward to shoot him. Again, we hear "pffutt, pffutt" and two small bloodstains appear on Scarlett's blouse about chest high. She staggers back, still standing, looks surprised, and drops the gun (we see it fall and hear it clatter.) Then she slowly falls (like in fatal interrogation, maybe seen from a few angles), and hits the floor EXACTLY (as much as possible) as in Fatal Interrogation, eyes open. We see pans of her beautiful body, with the gun near her, and mostly full body shots from different angles. The agent calls again, and says, "Hey, guys, need another cleanup crew for another beautiful dead assassin. Maybe they'll leave me alone now. He gets up, steps over the body, and leaves the room

    IF YOU LIKE THIS FILM PLEASE CHECK OUT
    DEATH IS PLEASURE
    INTERSTELLAR AGENTS ADVENTURES

    Clip Duration:      10 minutes
    Format Size
    mp4583.4 MB

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    Additional Thumbnails

    Crime House - SURPRISE FOR ASSASSINS

    Crime House - SURPRISE FOR ASSASSINS

    Crime House - SURPRISE FOR ASSASSINS

    Crime House - SURPRISE FOR ASSASSINS

    Crime House - SURPRISE FOR ASSASSINS

    Crime House - SURPRISE FOR ASSASSINS
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    Customers who bought this Video also purchased:

    DRUGS CRIMINAL - Cast: Polina Wood, Alex

VERY GLOODY SHOOTING FILM! OLD-SCHOOL SHOOTING POLICE FETISH THRILLER!

«I’ve got the video! GREAT! Polina acts very great and the blood effect is amazing! Thank you so much!»
Customer’s Review

Cloth: Polina: white camisole, black leather tight skirt, black stockings, high heels, police badge, no bra, no gun holster. (Her clothes are similar with the Police Tragedy, but no shirt and no gun holster this time.) white camisole, black leather tight skirt, black stockings, high heels, police badge Plot:
(1)DEA agent Polina has been an employee in a drug corporation for 6 months. She finally got the evidence. Today, she is ready to arrest the drug dealers’ boss.
(2)Polina walks into the boss's office. The boss is sitting behind a desk and reading something information. She approaches the boss and hands him a document. When the boss is taking the document, she took out a pistol from behind. She pointed the gun at the boss. “DEA! You are under arrest!” She says.
(3)But the boss is very experienced and has already hidden a pistol under the table. When Polina is calling for support, the boss takes of the pistol and shooting swiftly. A bullet hit Polina in the belly.
(4)Polina is in great pain after being hit. She still insists on standing with one hand covering the wound, and the other hand trying to raise the pistol to fight back. The boss shoots again. This time 2-4 shots hit Polina. (Including 2 bullets very close to the nipples or precisely hit the nipples.) Polina is moaning in pain, and falling back after being hit by bullets. After the last shooting she leans against a wall and sliding down. (The falling back is similar with herself in the Police Tragedy, but this time she is leaning a wall in the end.) Polina bleeding a lot. leans against a wall and sliding down
(5)The boss believe Polina is dead, so he calls people to clean up the body. Meanwhile, Polina wakes up in great pain. She stands up with great pain. Polina stabiles her swaying body, and raises her pistol to shoot the boss. (
6)When the boss finds her, she pulls the trigger. But she is shocked and horrified to find that the gun is empty. (Her face expression at this time is very important.) The drug dealer smiles. “You are so naïve.” He says. He doesn’t give Polina time to think before shooting. Several bullets hit Polina’s body. (The totally number of bullets is up to you, just not too much, the Police Tragedy is great.)
(7)Polina falls down again, leaning her upper body against the wall, clutching her chest, struggling and moaning in pain. (Here is a close-up scenes of Polina struggling and moaning.)
(8)The boss takes off Polina's clothes while she is struggling and dying. He puts her body on a desk and plays her body, and humiliates her. Finally, the boss kills Polina with the last shot.
(9)The last is a close-up of Polina's body.

IF YOU LIKE THIS FILM PLEASE CHECK OUT
TORTURE KILLER PART 1
THE POLICE TRADEGY


    MIRA VS LUIZA - MIRA VS LUIZA
Starring: Mira Green and Luiza
Fetish Elements: 
Catfighting, Stabbings, Fighting With Knives, Much Blood, Great Stabbing Scenes 
Plot
Mira Green is an experienced cop. She has a very good reputation among her partners, but her good work has also made her several enemies that are dangerous. Mira´s does not use guns that often, instead, she has specialized in fist and sword fighting, and that is why she loves to collect them. That is the reason why she has 2 small swords on her apartment.
Her enemies are dangerous, and one of them decides to hire a professional killer, Luiza, who also specializes in sword fighting, because she loves to stab her victims through their bodies and watch them bleed to death (SHE IS NO PSYCHO, so no expressions like Max in “Stabbing in the Rain” PLEASE). She also carries 2 swords, in case she loses one for a moment during battle, just like Mira.
Development:
1. Mira arrives to her apartment back from work, she seems tired after a long day of paperwork and no action at all, she seems pissed about it and says: “What a boring day! I could not fight anyone. If only I had the chance to use my swords someday.”
2. Mira goes to her kitchen, serves herself a glass of water and takes a couple of sips while she looks at her phone. She smiles a little since she saw something funny.
3. Suddenly, Mira hears a noise that comes from the living room. She seems kind of curious and scared at the same time as she leaves her glass of water on the table (she makes the expressions from the pictures below as she walks towards the living room)
    When she hears the noise.
4. Mira walks inside the living room, and the first thing she sees is Luiza, who is holding one of her swords while the other is left on the couch.
5. Luiza says: “Finally, you notice that I am here.”
6. Mira responds: “Who are you? How did you get in here?”
7. Luiza points at Mira with her sword and says: “A good killer can get inside any place, and… well, I suppose that you know who I am now. I am Luiza and I am here to kill you. Just imagine this inside your body.” Mira makes the expression from the picture below.
8. Mira says: “I don´t know who hired you, but you are making a big mistake. Maybe we could reach an agreement?” While she says that, Mira slowly walks to the place where she has one of her swords.
9. Luiza responds: “I don´t think so. You will die today.” After that, Mira grabs her sword and challenges Luiza by saying: “I told you this was a mistake, I was saying that for your own sake, since no one beats me with swords. Let´s see who stabs who first.”
10. Luiza tries to attack first, going straight for Mira, while Mira defends herself using her excellent sword fighting skills. Both of them fight hard and get near each other with their swords clashing against each other. Mira smiles and says: “Not bad, but not good enough.”
11. Mira believes that she has the perfect moment to attack and stab Luiza, but the problem is that her rival has studied her techniques very well and knows what Mira is about to do.
12. Mira tries to stab Luiza on her chest, but Luiza wisely dodges the attack, spins and appears right behind Mira. Mira quietly says: “Shit!!!” as she knows what is about to happen.
13. Luiza strikes first, as she stabs Mira in her back, with the sword coming out of her chest, between her breasts, almost getting her heart. Mira is shocked, as she makes a face of surprise while she slowly turns her head down to see the sword that came out of her chest. (See the picture below to see the expression on Mira´s face and the place where the sword should come out from) The sword is fully red, full of blood. The blood is dripping from the sword and Mira´s shirt starts to turn red all around the wound. (Take a good shot of the sword that went through the chest of Mira.)
14. Luiza smiles and whispers on Mira´s right ear: “Not bad, but not good enough, Mira.” She says that as Mira is processing what just happened, static because of what happens, as blood starts to come out from her mouth.
15. Luiza leaves the sword inside Mira´s body, as she watches her walk a little, trying to breathe. Luiza just crosses her arms and watches Mira walk away to take some distance.
16. Mira is far from defeated, as she spits some blood and recovers her posture. She looks at Luiza and says: “Now you have no sword. It´s my turn.” 
17. Mira grabs her second sword and now has one sword on each hand, since she never dropped the one she had first. Luiza is scared, but she has no place to hide.
18. Mira goes straight for the attack, EVEN WITH A SWORD STUCK INSIDE HER CHEST, that does not slow her down and attacks Luiza.
19. Mira stabs Luiza in the belly, with the sword coming out of her back. Mira twists the sword as Luiza grunts and gasps for breath. (Luiza makes an expression like the picture below) The sword starts dripping the blood of Luiza, as the shirt turns red because of the blood from both sides of the body. The sword is also fully red, full of blood.
20. Mira leaves the sword inside Luiza, punches her in the face, making Luiza turn her back on Mira, who takes advantage and stabs Luiza with her other sword, in the back, with the sword coming out of her chest. (Literally same place where Mira was stabbed) Take good shots of the swords that went through the body of Luiza.
21. Mira whispers to Luiza´s right ear: “I want to see if you can resist as much as I can.” While she says that, Luiza spits blood from her mouth, as some of it falls on her shirt. She is stunned as she has the same expression as the one from the picture below for a few seconds.
22. Mira takes the sword out of Luiza´s back, and leaves the other sword stuck inside her belly.
23. Luiza knows she has no sword, and realizes that her only choice is to use the sword that is stuck inside her belly. Luiza slowly takes out the sword from her body, while she screams in pain and drops blood from her mouth nonstop.
24. Luiza finally takes out the sword, which is dripping blood, as she tells Mira: “I can still fight. No problem at all.”
25. Mira goes for the same attack, and successfully stabs Luiza in the chest, with the sword coming out of Luiza´s back (check picture below to see where I want the stab to be)
26. Luiza opens her arms, and drops her sword as the force of the stab pushes her a little. She coughs even more blood as she looks at Mira´s face in pain.
27. Mira was smiling at Luiza´s suffering face, but her reaction changes instantly, as she notices that Luiza is holding her arm, so she cannot take out the sword. (Take shots of the arms of both models at that moment, also from the sword, the shirts of both models red because of the wounds, as well as a good expression of doubt from Mira, like she does not understand what is going on)
28. Mira asks Luiza: “What did you let me stab you?”
29. Luiza just headbutts Mira, finally takes out the sword that was still stuck inside Mira´s chest, and then takes out the sword from her own chest. Now Luiza has 2 swords in hand and Mira has none. (Mira makes the following expression when Luiza takes the sword out of her body, as she also coughs blood that falls on the floor and her shirt.)
30. Luiza quickly reaches Mira and stabs her in the back, with the sword coming out of the left breast of Mira. (Mira is stunned as her clothes are even more red, full of blood. The sword is dripping blood and she makes the following face when she gets stabbed)
31. Mira tries to walk, but Luiza has a good grip on the sword and does not let Mira get away. Luiza takes the sword out of Mira´s body and Mira turns around.
32. Luiza stabs Mira again, with her 2 swords at the same time. (Check the picture below to see where she gets stabbed). 
Both swords come out of Mira´s back (have a good shot of both swords full of blood going through the back of Mira) Mira makes the following expression when she gets stabbed:
33. Luiza takes both swords out of Mira´s body, and says: “I know that is not enough.” Luiza is heavily injured too, and struggles to breathe, but can still get her job done.
34. Mira struggles to move, and grabs her chest, where she has the VERY FIRST WOUND, as it keeps squirting blood with no end. She tries to cover the wound with her hand, but the blood keeps coming out, dripping now over the hand of Mira. 
35. Mira cries and screams in agony, as she looks to Luiza and begs for mercy: “Okay, you won, you are the best. Please, let me live and I will pay you better than the man who hired you.”
36. Luiza drops the sword from her left hand, puts her hand on Mira´s right cheek, kisses her, smiles at her, and finally stabs her with the other sword right on the heart. 
37. Mira is left with her eyes wide open, as tons of blood flow from her mouth like a waterfall (exaggerate with the blood). Mira gurgles because of the blood.
38. Mira is done, she kneels down, but uses the last of her strength to grab the sword that Luiza dropped and stabs her very well. 
39. Luiza did not see that coming, as she puts an expression showing she is amazed. She did not expect that at all!! She cannot stop the blood that comes out of her mouth like a waterfall.
40. Luiza cannot stop panting and grabbing the wound, as blood cannot stop flowing out of her body. Her eyes are wide open too.
41. Luiza still has some energy left, and pushes Mira, who falls to the ground. By pushing her, the sword comes out of Luiza´s body, as Mira did not drop it.
42. Luiza realizes that she must finish Mira, so she uses one of her swords to stab Mira to death. (Luiza stabs Mira between 10 and 15 times, like the final scene from “Stabbing in the Rain”) 
43. Mira finishes like the picture below. Completely obliterated. (Leave her with much more blood on her mouth at that moment.)
44. Luiza struggles with the pain, drops her swords as she puts her left hand on the wound from her chest, due to the fact that tons of blood keeps coming out of her body.
45. Luiza grabs her phone, and calls the person that hired her to kill Mira. Luiza says: “It´s me. I did it. Mira is dead, let me send you a picture of her dead body. One last thing… I am badly injured and bleeding way too much. I am heading to you place, please have a doctor ready for me or I will die too.”
46. Luiza takes a picture of Mira, as Mira´s dead, bloody and wounded body has already formed a HUGE pool of blood on the floor all around her, as blood keeps squirting out of each and every single one of her wounds. (Please exaggerate with the amount of blood and the size of the pool of blood.) Take a big shot for a lot of seconds of the dead body.
47. Luiza says: “You were one hell of a rival. Sweet dreams.” And finally leaves the room with tons of pain while grabbing her wounds. (Show with the camera her back full of wounds and blood while she prepares to leave, maybe 10 or 15 seconds) Also take a good shot of how her body finished.
IF YOU LIKE THE FILM PLEASE CHECK OUT
NO WINNERS
 


    FATAL INTERROGATION - FATAL INTORROGATION 
CUSTOM
Cast: Scarlett Fandera, Den, Alex
Elements of the story:

- clothes of the police girl: very short and tight black leather skirt, white and widely unfastened blouse put into the skirt, gun holster, police badge at the waist, high-heels, light stockings,
- girl entering the interrogation room,
- girl standing with hands on her hips, legs apart, watching a man arogantly, interrogating,
- then girl sitting on the table frivolously with her face near to criminal, detailed shots on her body/breast/legs on which the man looks embarassedly,
- first her strict expression, then smiling when the man gives her the information she needs,
- taking the gun out of holster before the action,
- girl slowly searching the place with her gun directing ahead, detailed shots on her concentrated face, shots on her body/legs/hips slowly moving ahead,
- short shootout with shots on the girl how she hides behind some wall/boxes etc. and then she fires,
-  sudden and fatal shot, shocked expression, crying, lying on her back, shocked death stare, legs put widely and uncontrollable apart, mouth open,
-  blood stains, torn blouse,
- subtitles.

Some man sits behind the table in some police interrogation room. The room is very cold with just table and chair there. The man looks very nervous.

Then a young police woman enters the room. She wears very short and tight black leather skirt with light stockings. On top she has an elegant white tight blouse with a gun holster. The blouse is put into the skirt. On her waist there is a police badge.

She puts some papers on the table and takes a pose beside the table with both her hands on her hips and legs apart.
She looks at the man strictly.

"So.... you asshole .... Do you know why you are here?"she asks him slowly with a disgusting voice still with her hands on her hips. ... "I hope you made up your mind" she continues and watches him strictly. 

The man is silent for a while. Then he just says: "I know nothing".

Hearing his answer the cop girl looks very annoyed. She silently shakes her head and scornfully smiles in a disagreement. Then with one thigh she slowly sits on the edge of the table. With her other leg she still touches the floor. Now her ultra short skirt shows her long legs in a very nice way. She sits very close to the man and says to him smiling ironically: "Boy....look.... I really don't have the whole day for you.... If you immediately tell me where I can find him, you help yourself very much. I advise you talking. I just want to get him".

The man desperately thinks about it again.
He also embarrassedly glances at her exposed thighs and breast with black bra that are so near to him.
Then he says. "Well.... southern district, building 22".

After his words, the police woman changes her strict expression. She starts smiling and in her eyes there is a big eagerness and delight.
She stands up, puts her hand on his shoulder and says with a cute voice: "Thank you, my friend... you made a very good decision. After I arrest him I will tell the prosecutor that you cooperated with us". 

The man answers very seriously: "He is insane. You have no idea what you are doing".

But she just smiles: "My job would be very boring without situations like this. Bye, boy....." she says to him smiling confidently.
And then she just takes the papers back from the table and smiling all the time she leaves the room walking very
elegantly.

Second part is in some place (flat, apartment, corridor, warehouse etc.). The police girl slowly takes her gun out of the holster. She slowly searches the place with her gun directing ahead with a very concentrated expression in her face. Then she is in contact with her opponent. There is a shootout. She hides beside some wall and shoot.
Suddenly the bullet hits the girl into her chest. First she shockingly looks at the place from which the shot came. Then she looks at her injury and cries fearfully, her face instead eagerness is now full of fear and surprise. Finally she falls on her back and in gasping agony she dies.

The story ends with shots on her body with blood holes and torn blouse.

IF YOU LIKE THIS FILM PLEASE CHECK OUT
KILLER IN THE TRAP
KILLER IN THE TRAP 2
KILLER IN THE TRAP 3


    Insidious Girlfriend - INSIDIOUS GIRLFRIEND
CUSTOM MOVIE
What to do when your girlfriend becomes a contract killer and wants to kill you?
RIGHT! TO KILL HER FIRST!

Fetish elements:
Ultra Classic Dress
DeadSkirt Style
Pantyhose
Shooting
Death Stare 
Cinematic Clip 

	When a killer Kit sees how his girl who has just nicely talked with him is going to shoot him to death, he quickly takes a gun. She shoots first but she looses. He strikes her to her breast. And one more time. After her surprise about her lost she falls dead. He takes off he shirt and call to his boss to tell about this accident. She as a killer!

	It’s great HD thriller with great slow-mo shooting scene and long body views. 
If you like this clip don’t miss
RUNSAWAY


    SOLVED CASE - SOLVED CASE

 

ONE MORE CUSTOM IS UP!

 

Starring: Nata, Vika and Kit

CRUEL SHOOTING AND CRUEL STABBING!!

Fetish elements:

 

Multi shooting, much blood, firefight, many bullets to one victim, belly shooting, chest-shooting, long agony before death, knife-fighting, stabbing to the belly, stabbing to the chest, death stares, blood from month, begging for life, body carrying, leather pants, blouses, bodypile

 

Plot

 

Two police women go to the maniac’s flat searching for proofs of his crimes. They have no order to enter his place. When they find computer with victim’s photos Vika says she can give this proof to her boss and she will receive a promotion. Nata is indignant about why they did it together, and the increase will only get Vika. Vika explains this by a hierarchy and offers Nate the humiliating place of her assistant. Nata takes out the trunk in anger and threatens Vicki with murder. A fierce, dynamic exchange of fire begins between two police women. Natha kills Vika with a lot of shots. Suddenly, the maniac returns to his den, and attacks a knife with a knife. After a fierce knife fight, the maniac very slowly and painfully kills Nata with a knife. Two new corpses on his account!

 

If you like this movie please check out

AGENT 13


    SPY IN STOCKINGS - SPY IN STOCKINGS
Starring: Nata 
Fetish Elements: 
Spy Theme, Nudity, Stockings, Black Stockings, Shock Reaction, Low Navel Shot, Naver Shot, Belly Shot, Breasts Shot, Breasts Agony, Head Shot, Death Stare 
CUSTOM 
Like She stole the flash memory card from Mafia, this flash memory has secret information.
The Mafia hired the Hitman to kill her and returned this flash memory.
After he killed her he will search her dead body and find the flash memory on above her right lige on the stocking and he a complete the mission.
IF YOU LIKE THIS CLIP PLEASE CHECK OUT
TORTURE KILLER PART 1
MURDER FOR DEBT
SEXY SPY DEMISE


    BLOODY STRIPTEASE - BLOODY STRIPTEASE
CUSTOM FILM
Cast: Xena, Polina Wood, Max
If you like SHOOTING videos and FIREFIGHTS – it will be your favourite one!
LIKE SHOT DEAD COCKTAIL BUT WITH PLENTY OF MAKE UP AND BLOOD!
ABOUT HOUNDRED OF SHOTS AND WOUNDS!!! 
«Regarding the video itself, on the whole I am satisfied, the actions and dialogues almost exactly coincide, except for the moment at 04:39 - there are not many other words in the script). Of course, the ending could have been more detailed, but I looked at the script and saw that I did not specify the order of occurrence of all wounds in time, therefore these claims to me, as a screenwriter, will be more accurate next time. I liked the acting of the actresses, including the facial expressions and timbre of the voice, depending on the situation ...
Thank you for your work, if I have the opportunity in the future and you want to work with me further, I will write a more elaborate script for a new video».
Customer’s Feedback 
Characters:
Heroine A - Julia Wood
Heroine B – Xena
Part 1 - Successful mission. Location - a couple of rooms. Timing 2 minutes
AB disperse to different rooms. This part provides an overview of AB in action, from different angles at moments movement and combat. Several shots to the sides, with the corresponding echoes of the falling body, and a few shots at point-blank range in B followed by a falling camera. Shots from side B are also present but bullets cannot injure AB, they bounce off bodies with a corresponding visual effect (spark). Feel pain, and change position after being hit, facial expressions at the same time express a feeling of pain and, at the same time, a feeling enjoyment. Voice guidance - short compressed audio. Screen time for each heroine approximately equally.
In this part, it is necessary to emphasize confidence in the actions of AB and their invulnerability.
Part 2 - dialogue. Location - one room, different from ch1. Timing 2 minutes The location of the heroines and furniture in the room at the choice of the studio.
AB Dialogue:
And - how do you like this elixir? It helps us enjoy our work more.
B - does he have any side effects? I feel strange. As if something is pushing me more risky actions. Bullets hit me and I enjoy the pain.
A (reading the instructions on the bottle from under the elixir): Makes you invulnerable to lead bullets. Time actions 1h. Does not protect against hitting armor-piercing bullets, but maintains vital activity while the effect of the elixir has not ended. Side effects: due to the sharp production of adrenaline and dopamine, the sense of self-preservation may be dulled.
B - what is needed in our work, to die with pleasure with a weapon in hand.
Smartphone A receives a message about the next task. When there is a dialogue, the camera from time to time favorably emphasizes the beauty of the body of the heroines.
Part 3 is the last task. Location - may be the same as in ch1 AB disperse to different rooms. Several frames of a successful battle. Phone A receives a message about staff cuts. The sound of shots B changes (ascent by low and high frequencies, the middle chokes). B is wounded in the stomach and left chest, return fire. kills V. B unbuttons his shirt and grabs his wounded chest, examining the wounds, holding back the pain, says: "My body can not withstand the impact of armor-piercing shells." B changes position does shot but misses B, and receives another wound in the stomach. A enters the room and kills V.
Dialogue of heroines, AB:
A - I received a message, our department is cutting funding, one of us will have to look for other work. B (holstering the pistol and taking off my shirt) - I will hardly be able to carry out my professional duties, this was my last assignment, I am going out of business. I have a request.
A - How can I help? I'm ready to do anything for you.
B (grasping the wounded chest) - Take a clip with armor-piercing cartridges. (A pulls out of the gun B clip and loads her pistol). There is only one way from this work (removing the hand from the chest), the elixir is still acts, each injury received, although it brings me closer to death, but at least delivers my pleasure. Shoot me, give me one last pleasure.
A (aiming at B's body) - I always dreamed of seeing you die. B (straining and holding back the pain) - I have always dreamed of dying in battle.
And he shoots successively 1 in the left, 2 in the right and 3 in the stomach.  B (in a trembling voice, holding back the pain) - Finish.
A fires a shot in the navel, after which B kneels. And he shoots the right and left nipples,  after which B grabs both breasts, squeezing them, and after a moment falls dead, A -goes to the body and picks up the weapon. Examining and caressing the body of B, A says: “even after death you gorgeous. "
A message arrives on smartphone A stating that it is necessary to leave the location, as received reinforcement of opponents. And he reads the message, but does not follow the advice. And he takes off the top and caresses his body says "now my body will also pass the test of strength." And reloads the weapon. Driven by thirst revenge for a friend, A goes to the next room, goes to the middle of the room, at this moment with 3x B appears and opens fire to kill, A fires with two hands. A gets wounded in the chest (3 wounds to the left and right) and to the stomach (6 wounds). Despite being injured, A continues to return fire and in the course of receiving wounds, successively destroys 2x V. The last B hid behind cover and change the clip. At this moment, A lowers the weapon and examines the wounded body, holding back the pain says: "These wounds only adorn my beautiful body, this elixir will bring me to orgasm."
B comes out of hiding, at this moment A holding back the pain, issuing a clamped cry, raises his hands with weapon and fires two shots but misses. B fires 3 quick shots, dealing critical damage. BUT, after being wounded, he tries to stay on his feet for some time, says: “you won”, after which loses his balance and falls for dead. B comes to the body, takes a weapon. We see the dead body


    PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».

The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.

"What's Going on?" she cries. "Who are you? Get out or I will call the police."

The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.

"What do you want?" she says softly.

"I need your help."

"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.

"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"

She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.

"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."

"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."

"Oh we have evidence all right."

She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.

"Because we thought you might be useful to us some day"

She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.

"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."

"That's a bit extreme," she says.

"They're not innocent. They're helping him."

"What's in it for me?"

"Your fiancé, Rodion."

"What have you done with him?" she asks angrily.

"We've only let him out of jail."

Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."

"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."

"Okay, I'll do it. I guess I don't have much option."

"No, you don't."

"How do I know you won't kill me afterwards."

The man smiles. "You'll just have to trust us."

"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"

"They're at home now."

"That's a bit sudden."

He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."

She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."

The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.

The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.

One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.

The second girl puts down her racket (on a table, counter, whatever is within her reach).

"I won't scream," she says quietly.

Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.

As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.

"Walk on," he says.

"I always knew," she says.

"Of course," he replies.

She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.

We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.

As the camera dwells on her we see the shadow of another man approaching and  standing over her.

"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.

The man  bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.

The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.

The camera pans over the corpse.

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